<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3927607700945378847</id><updated>2011-11-27T16:15:37.541-08:00</updated><category term='john lee hooker'/><category term='blues'/><category term='muddy waters'/><category term='robert johnson'/><category term='howlin wolf'/><title type='text'>Blues of the Month</title><subtitle type='html'>My Humble Attempt At Undoing Rob's Formal Albion Music Education With My Skewed Ramblings About Music Of Which I Understand Nothing - The Blues</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://bluesofthemonth.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://bluesofthemonth.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Joe Mares</name><uri>https://profiles.google.com/108783670337562083856</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-uYGzdkn7yNE/AAAAAAAAAAI/AAAAAAAAWeQ/KXRSl4ap0NE/s512-c/photo.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3927607700945378847.post-7490421319591052293</id><published>2007-12-01T12:00:00.000-08:00</published><updated>2007-12-10T13:58:02.006-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='blues'/><title type='text'>Candy Cane Children</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="http://www.box.net/shared/clo49xs94s" title="I Am the Hidden MP3 - Download Me Now !"&gt;&lt;b&gt;Candy Cane Children&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;I know what your are saying. . . "Is this the 'Blues of the Month' or the "Semi-Annual Blues' blog ?"&lt;br /&gt;Nag, nag, nag. I've been busy - back off.&lt;br /&gt;&lt;br /&gt;Tis the season. Ho Ho Ho . . . sorry - &lt;a title="we're not allowed to say that any more" href="http://news.yahoo.com/s/afp/20071115/wl_asia_afp/lifestyleaustraliachristmasoffbeat" id="qdep"&gt;we're not allowed to say that any more&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;On with the tunage . . .&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Santa Claus Is Back In Town&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;b&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Elvis Presley&lt;/span&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;a title="Christmas Album" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E456F4D6633D2DED93&amp;amp;sql=10:jxfoxqt5ldte" id="tc9p"&gt;Christmas Album&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1957&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;It'd be very easy to dismiss Elvis. The sequin suits, the bad movies, the badge from Nixon, etc. Never forget, however, that he was one hell of a blues singer. Don't believe me? Ask Howlin' Wolf - "&lt;span style="font-style: italic;"&gt;He started from the blues. If he stopped, he stopped. It's nothing to laugh at. He made his pull from blues&lt;/span&gt;". Wolf wouldn't lie to you.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Christmas Time, Pt. 1&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:85%;" &gt;&lt;b&gt;Billy Boy Arnold&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b style="color: rgb(51, 51, 255);"&gt; &amp;amp; the Duke Robillard Band&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;&lt;a title="20th Century Masters - The Christmas Collection: Blue Christmas" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E457FED6623C2DED93&amp;amp;sql=10:gcfuxqtaldde" id="aujk"&gt;20th Century Masters - The Christmas Collection: Blue Christmas&lt;/a&gt; - &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;1979&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;It's Christmas Time&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Cedell Davis&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;&lt;a title="It's Christmas Time" href="http://www.emusic.com/album/Cedell-Davis-It-s-Christmas-Time-MP3-Download/10984168.html" id="vpgd"&gt;It's Christmas Time&lt;/a&gt; - &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;2006&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;Dude only has one good hand! &lt;/span&gt;&lt;span style="font-size:85%;"&gt;He plays with his left and uses his right, crippled hand for the slide.  &lt;/span&gt;&lt;span style="font-size:85%;"&gt;I couldn't play a guitar this well with four.&lt;br /&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Christmas Morning Blues&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Kansas City Kitty&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Where Will You Be Christmas Day?" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E457F9D666352DED93&amp;amp;sql=10:09fpxqrsld0e" id="t021"&gt;Where Will You Be Christmas Day?&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1934&lt;/b&gt;&lt;br /&gt;Kansas City Kitty. Hmmm . .. great name for a stripper, no?&lt;br /&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Please Come Home For Christmas&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Charles Brown&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Charles Brown Sings Christmas Songs" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E457FBD6673F2DED93&amp;amp;sql=10:gnfexqu5ldje" id="uq:j"&gt;Charles Brown Sings Christmas Songs&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1960&lt;br /&gt;&lt;/b&gt;No, this in not Charlie Brown's Christmas, which, if you are into jazz, is quite good. Charles Brown was Ray Charles, before Ray Charles was Ray Charles.&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Swollen X-Mas&lt;/span&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Bloated&lt;/span&gt;&lt;br /&gt;&lt;/b&gt; &lt;b&gt;&lt;a title="2005 SSM Holiday Compilation" href="http://www.suburbansprawlmusic.com/item.php?cat=SSMX05" id="q-dk"&gt;2005 SSM Holiday Compilation&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;2005&lt;/b&gt;&lt;br /&gt;I know nothing about this band at all. I suspect they are local - this is from a label located in Livonia - Suburban Sprawl Music - that specializes in local indie pop/rock bands. This is got a definite blues feel to it. Not really sure if it's about Christmas, however - can't understand a word he's singing . . .&lt;br /&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Lonesome Christmas&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Lowell Fulson&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;a title="Bullseye Blues Christmas" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E457F5D6653E2DED93&amp;amp;sql=10:jpfoxqyhld6e" id="bchj"&gt;Bullseye Blues Christmas&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1950&lt;br /&gt;&lt;/b&gt;Lowell Fulson is such an awesome artist he's included twice on this disc, not to mention I named my last dog after him. &lt;span style="color: rgb(0, 0, 0);"&gt;My pet's have included Earnest "Big" &lt;span style="font-weight: bold;"&gt;Crawford&lt;/span&gt; (dog), Willie &lt;span style="font-weight: bold;"&gt;Dixon&lt;/span&gt; (cat), &lt;span style="font-weight: bold;"&gt;Brownie&lt;/span&gt; McGhee (bird, which was eaten by Willie Dixon), Chester A. &lt;span style="font-weight: bold;"&gt;Burnette&lt;/span&gt; (Howlin' Wolf's real name - dog), Sunnyland  &lt;span style="font-weight: bold;"&gt;Slim &lt;/span&gt;(goldfish, which Mrs. Otisredn  accidentally  boiled) and &lt;span style="font-weight: bold;"&gt;Muddy&lt;/span&gt; Waters (a fat cat).&lt;/span&gt;&lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Good Morning Blues&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Ella Fitzgerald&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;a title="Jingle Bell Jam: Jazz Christmas" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E454FCD6663E2DED93&amp;amp;sql=10:wpfexqwhldje" id="nan:"&gt;Jingle Bell Jam: Jazz Christmas&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1960&lt;br /&gt;&lt;/b&gt;&lt;span style="font-style: italic;"&gt;The First Lady of Song . . .&lt;/span&gt;&lt;b style="font-style: italic;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Poor Mr. Santa&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;b style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;Andre Williams&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Poor Mr. Santa" href="http://www.nortonrecords.com/holiday/index.html" id="hmbi"&gt;Poor Mr. Santa&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1997&lt;/b&gt;&lt;br /&gt;Andre Williams is a Detroit R&amp;amp;B singer from the late 50's. He is best known for the songs "Bacon Fat" &amp;amp; "Jail Bait". Recommended listening. He released two versions of this song - one 'nice' and one 'naughty'. I'll let you&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;&lt;img id="jwni" style="margin: 1em 0pt 0pt 1em; width: 220px; height: 165px; float: right;" src="http://docs.google.com/File?id=dfjvch3m_76g3rnxbdq" /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; figure out which one this is.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;By the way, I've included a picture of Andre's blue balls for you -&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Blue Christmas&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Meditation Singers&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Checker # 5057" href="http://www.soulfulkindamusic.net/checker.htm" id="iam1"&gt;Checker # 5057&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1968&lt;/b&gt;&lt;br /&gt;Not the "Blue Christmas" you are thinking of. This is a different, gospel song with a strong blues vibe.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Merry Christmas Baby&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;Bonnie Raitt &amp;amp; Charles Brown&lt;/b&gt;&lt;br /&gt;&lt;a title="A Very Special Christmas, Vol. 2" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E452F8D6633E2DED93&amp;amp;sql=10:kzfoxqegld6e" id="z:xz"&gt;&lt;b&gt;A Very Special Christmas, Vol. 2&lt;/b&gt;&lt;/a&gt; - &lt;b&gt;1992&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;This song is now so pervasive it has almost become a Christmas standard, like "Silver Bells" or "Winter Wonderland". Not bad for a blues song . . . &lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;If Christmas Can Bring You Home&lt;/span&gt;&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;Reigning Sound&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Home For Orphans" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E455F9D6623B2DED93&amp;amp;sql=10:jnfpxqesldse" id="jwra"&gt;Home For Orphans&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;2005&lt;/b&gt;&lt;br /&gt;Reigning Sound is a very cool neo-garage band from Memphis. The leader, Greg Cartwright, has worked with many others including Mary Wiess (member of the Shangrilas) and &lt;a href="http://detroitcobracovers.blogspot.com/"&gt;my other love,&lt;/a&gt; the Detroit Cobras (which you can see has been equally ignored as much as this blog).&lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Deck The Halls With Boogie Woogie&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Katie Webster&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="The Alligator Records Christmas Collection" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E455FBD6663F2DED93&amp;amp;sql=10:azfoxqwgldte" id="p70i"&gt;The Alligator Records Christmas Collection&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1992&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Baby, It's Cold Outside&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;Ray Charles &amp;amp; Betty Carter&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Ray Charles and Betty Carter" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E455F4D666392DED93&amp;amp;sql=10:kzfexqtgld0e" id="m0x1"&gt;Ray Charles and Betty Carter&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1961&lt;br /&gt;&lt;/b&gt;This is a pop classic which Ray turns into a blues boiler by slowing it down and adding some punchy horn charts. &lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Santa Claus Is Definitely Here to Stay&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;James Brown&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="James Brown's Funky Christmas" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E455F5D667382DED93&amp;amp;sql=10:0pfixqyhldje" id="u6l3"&gt;James Brown's Funky Christmas&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1970&lt;/b&gt;&lt;br /&gt;It was Christmas last year  when we lost James Brown. James is another artist, like Elvis, you could easily dismiss for his public persona. But musically, he was a giant. We'll visit him more in future discs.&lt;br /&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Sandy Claw Stole My Woman&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;Bobby Parker&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Blues, Mistletoe &amp;amp; Santa's Little Helper" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E452FCD6653E2DED93&amp;amp;sql=10:kpfpxq8hldde" id="wa-2"&gt;Blues, Mistletoe &amp;amp; Santa's Little Helper&lt;/a&gt; &lt;/b&gt;- &lt;b&gt;1995&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;I Wanna Spend Christmas With You&lt;/b&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;Lowell Fulson&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;a title="Jingle Blues" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E452FED666392DED93&amp;amp;sql=10:gbfexqqjldte" id="lrus"&gt;Jingle Blues&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1967&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;The Twelve Blue Days of Christmas&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Jack De Keyzer&lt;/b&gt;&lt;br /&gt;&lt;a title="Santa's Got Mojo!" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E452FED663382DED93&amp;amp;sql=10:hjfuxq80ld0e" id="p3dn"&gt;&lt;b&gt;Santa's Got Mojo! - &lt;/b&gt;&lt;/a&gt;&lt;b&gt;2002&lt;br /&gt;&lt;/b&gt;Not a big fan of contemporary blues (read 'contemporary' as 'modern'. In my opinion it is over produced - too clean, too shiny). I do enjoy this, however. Invokes all the greats - Robert, T-Bone, BB, Muddy . . . sliding into their respective styles.&lt;br /&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Christmas (Comes But Once A Year)&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Amos Milburn&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="King # 5405" href="http://redkelly.blogspot.com/2005/12/amos-milburn-christmas-comes-but-once.html" id="xqp1"&gt;King # 5405&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1960&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Blue Christmas&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Sheryl Crow&lt;/b&gt;&lt;br /&gt;&lt;a title="A Very Special Christmas, Vol. 3" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E452F9D6623F2DED93&amp;amp;sql=10:h9fuxqljldhe" id="p70i"&gt;&lt;b&gt;A Very Special Christmas, Vol. 3&lt;/b&gt;&lt;b&gt;&lt;b&gt; - &lt;/b&gt;&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;1997&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;"Blue Christmas" started off as a country song back in 1948. But since Elvis's familiar version in 1957, it has been the provenance of rock and blues ever since. It's always been a fine line between the three genres as it is. Ms. Crow serves up a delicious version here.&lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Christmas Card From a Hooker in Minneapolis&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Tom Waits&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a title="Blue Valentine" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E452F8D662352DED93&amp;amp;sql=10:0pfuxql5ldke" id="m4x_"&gt;Blue Valentine&lt;/a&gt; - &lt;/b&gt;&lt;b&gt;1978&lt;br /&gt;&lt;/b&gt;Ok. You're right. This song, other than it's title, has nothing to do with Christmas. But it was either this or 2 shitty songs from Lynyrd Skynyrd. No need to send a thank you card.&lt;br /&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Silent Night&lt;/b&gt;&lt;br /&gt;&lt;b style="color: rgb(51, 51, 255);"&gt;Charlie Musselwhite&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;&lt;a title="The Alligator Records Christmas Collection" href="http://wc05.allmusic.com/cg/amg.dll?p=amg&amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDFB74AB7BA8E02CA45A089FC2E455FBD6663F2DED93&amp;amp;sql=10:azfoxqwgldte" id="p70i"&gt;The Alligator Records Christmas Collection - &lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;1992&lt;br /&gt;&lt;/b&gt;I am a sucker for a well played blues harp. It does not get any better than this. On second thought, you can go ahead and send that thank you card.&lt;br /&gt;&lt;br /&gt;This is one of &lt;a href="http://www.joemares.com/xmascds"&gt;10 Christmas discs&lt;/a&gt; I made this year. Don't hesitate to ask if you'd like any of the others.&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;That's all for now . . . we'll be back with more in the new year.&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Support the troops - pray for peace . . . &lt;/span&gt;&lt;b style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3927607700945378847-7490421319591052293?l=bluesofthemonth.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bluesofthemonth.blogspot.com/feeds/7490421319591052293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3927607700945378847&amp;postID=7490421319591052293' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/7490421319591052293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/7490421319591052293'/><link rel='alternate' type='text/html' href='http://bluesofthemonth.blogspot.com/2007/11/candy-cane-children-download-track.html' title='Candy Cane Children'/><author><name>Joe Mares</name><uri>https://profiles.google.com/108783670337562083856</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-uYGzdkn7yNE/AAAAAAAAAAI/AAAAAAAAWeQ/KXRSl4ap0NE/s512-c/photo.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3927607700945378847.post-2338573221204380480</id><published>2007-03-14T11:50:00.000-07:00</published><updated>2007-03-14T14:22:22.539-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='blues'/><title type='text'>Fell In Love With A Girl</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 0, 0);font-size:180%;" &gt;&lt;br /&gt;&lt;a title="I Am the Hidden MP3 - Download Me Now !" href="http://www.mediamax.com/otisredn/Hosted/Fell%20in%20Love%20With%20a%20Girl.mp3"&gt;Fell In Love With A Girl&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.mediamax.com/otisredn/Hosted/fell%20in%20love%20with%20a%20girl.pdf" title="Download Track Listing/Jewel Case insert"&gt;Download Track Listing/Jewel Case insert&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;The blues, for the most part, have been a male dominated genre. Wasn't always the case, however. &lt;a title="The early years of blues music" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDF96AB57DB0FD2EA45D43D5C0EE52F6DD632D4CF0&amp;amp;sql=77:51"&gt;The early years of blues music&lt;/a&gt; were equally populated by female singers such as&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.kser.org/shows/dusties/photosa-m/rubyj.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 173px; height: 329px;" src="http://www.kser.org/shows/dusties/photosa-m/rubyj.jpg" alt="" border="0" /&gt;&lt;/a&gt;  Bessie Smith &amp; Ma Rainey. It's a shame that it has become a male dominated field, however, because I feel women invest themselves in to the 'song' more then men do. Men invest themselves in to the instrumentation more (they always said the guitar is nothing but an extension of the phallus!).&lt;/div&gt;&lt;br /&gt;The previous two discs have been, for the most part, examples of "delta" blues, in particular Robert Johnson, Muddy Waters and Howlin' Wolf. This disc, however, showcases other shades of the genre including Gospel, Jazz &amp;amp; in particular, Soul (in fact, I only found one example of what I would call "Delta" blues).&lt;br /&gt;&lt;br /&gt;I have tried to give examples from the 1920's right on through 2005. (The other option was to make it all Etta James, but that would have been too easy). Interestingly enough, there is quite a gap from 1972 to 1989. Not that there wasn't any females blues during that time, but overall, it was a dark period in poplar music (trust me, I lived through it), yet alone the blues. Including such a wide time frame on this disc is not fair to the more contemporary selections . . . they truly don't stand a chance when measured against the earlier stuff.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;The Reverend Is My Man&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Christina Gray&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;1929&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;a style="font-weight: bold;" title="Female Blues Singers - Complete Recorded Works" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:4sdovwdya9ek"&gt;Female Blues Singers - Complete Recorded Works&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;I can not provide any details on Christina Gray other than she was from &lt;a title="New Orleans" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDF96AB57DB0FD2EA45D43D4C0EC55F6DE662D4CF0&amp;amp;sql=10:zceb97ykkrkt"&gt;New Orleans&lt;/a&gt;.  I just found it to be a sassy example of the early blues.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.redhotjazz.com/Paramount-12262B.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 109px; height: 106px;" src="http://www.redhotjazz.com/Paramount-12262B.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt; &lt;div style="text-align: justify; font-weight: bold;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;My Daddy Rocks Me&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;  Trixie Smith&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;1938&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;a title="Complete Recorded Works Vol. 2 (1925-39)" href="http://www.document-records.com/fulldetails.asp?ProdID=DOCD-5333"&gt;Complete Recorded Works Vol. 2 (1925-39)&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;It&lt;/span&gt;&lt;span style="font-size:85%;"&gt; ain't really her 'Daddy', and he isn't really 'rocking' her. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Gloomy Sunday&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;br /&gt;Billie Holiday&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt; 1941&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" title="The Quintessential Billie Holiday, Vol. 9 (1940-1942)" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:8y61mped9fco"&gt;The Quintessential Billie Holiday, Vol. 9 (1940-1942)&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;If this isn't the blues, I don't know what is. This song was not without controversy, &lt;a title="supposedly responsible for over 200 suicides" href="http://www.snopes.com/music/songs/gloomy.htm"&gt;supposedly responsibl&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;a title="supposedly responsible for over 200 suicides" href="http://www.snopes.com/music/songs/gloomy.htm"&gt;e for over 200 suicides&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; (&lt;a title="Add Judas Priest to the list of rock act's copying the blues." href="http://www.totse.com/en/ego/can_you_dance_to_it/jud-prst.html"&gt;I guess you can add Judas Priest to the list of rock act's copying the blues).&lt;/a&gt; Despite the&lt;/span&gt;&lt;span style="font-size:85%;"&gt; controversy, this was a big hit for Billy Holiday, one of many in a legendary and influential ca&lt;/span&gt;&lt;span style="font-size:85%;"&gt;reer, a fine&lt;/span&gt;&lt;span style="font-size:85%;"&gt; example of her sultry vocal styling.&lt;br /&gt;&lt;/span&gt; &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.robertcorwin.com/RosettaTharpe.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 137px; height: 169px;" src="http://www.robertcorwin.com/RosettaTharpe.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Rock Me&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Sister Rosetta Tharpe&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;1942&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Complete Recorded Works, Vol. 2 (1942-1944)" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:8m861v7ozzca"&gt;Complete Recorded Works, Vol. 2 (1942-1944)&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;Not only was Sister Rosetta Tharpe a very popular gospel singer in the 40's and 50's, she also played the&lt;/span&gt;&lt;span style="font-size:85%;"&gt; guitar, including the intro to this song.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Money Blues&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Camille Howard&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1951&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Specialty Story" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:j7ozefyk7gfn"&gt;The Specialty Story&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;Originally starting off as a pianist for Roy Milton in the 40's, well known for her boogie playing style, she later&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;moved to the microphone. This was released on specialty Records, a&lt;/span&gt;&lt;span style="font-size:85%;"&gt; legendary label that released the likes of the aforementioned Roy Milton, Percy Mayfeild, Lloyd Price, Clifton Chenier, Sam &lt;/span&gt;&lt;span style="font-size:85%;"&gt;Cooke &amp;amp; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;the Soul Stirrers&lt;/span&gt;&lt;span style="font-size:85%;"&gt; and, of course, Little Richard.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Walking Blues&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://home.hetnet.nl/%7Ebluesxplosion/images/Bands/BigMamaThornton.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 109px; height: 134px;" src="http://home.hetnet.nl/%7Ebluesxplosion/images/Bands/BigMamaThornton.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Big Mama Thornton&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1952&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Hound Dog - The Peacock Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:tj9ds39ya3rg"&gt;Hound Dog - The Peacock Recordings&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;Big Mama Thorton's claim to fame is of course her original recording of "Hound Dog", a song later made popular by Elvis in 1956. Big Mama's version was a large hit as well,&lt;/span&gt;&lt;span style="font-size:85%;"&gt; spending 7 weeks at the top of the R&amp;B charts in 1958. This selection was released before "Hound Dog", in 1952. Nice driving beat ac&lt;/span&gt;&lt;span style="font-size:85%;"&gt;companied by her growling vocals.&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;Tomorrow Night&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; LaVern Baker&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1954&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Atlantic Rhythm &amp; Blues 1947-1974" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=10:apfqxqq5ldfe"&gt;Atlantic Rhythm &amp; Blues 1947-1974&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;The first of many Atlantic artists on this disc, Lavern Baker had a powerful, booming vocal style, as showcased on this track. This too was covered by Elvis, acoustically during his Sun Records years, though not with the&lt;/span&gt;&lt;span style="font-size:85%;"&gt; success of "Hound Dog".&lt;br /&gt;&lt;/span&gt; &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://atlanta.creativeloafing.com/binary/02d1d0c3/cover1-4.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 182px; height: 138px;" src="http://atlanta.creativeloafing.com/binary/02d1d0c3/cover1-4.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;One Monkey Don't Stop No Show&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Big Maybelle&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1955&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Okeh Sessions" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:hr6cmpnd9ffo"&gt;The Okeh Sessions&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;Was she called Big Maybelle because of her large vocal style? Probably not . . . she was also built like a tank. &lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;span style="font-weight: bold;"&gt;99 And A Half Won't Do&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;&lt;br /&gt;Dorothy Love Coates&lt;br /&gt;1956&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Best of Dorothy Love Coates &amp; the Original Gospel Harmonettes" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=10:0tnsa9lgb23g"&gt;The Best of Dorothy Love Coates &amp; the Original Gospel Harmonettes&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt; I have never seen American Idol. Hard to avoid the commercials, however. I see those contestants trying so hard to inject emotion - waving their arms in the air, bending at the knees -&lt;/span&gt;&lt;span style="font-size:85%;"&gt;into whatever song  &lt;/span&gt;&lt;span style="font-size:85%;"&gt;they are trying to sing. Listen to this this Dorothy Love Coates track. Do you think she's trying to inject emotion into the song? No, that's the real&lt;/span&gt;&lt;span style="font-size:85%;"&gt; thing. No cameras, no judges, no audience besides those present in the studio.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;If the music you listen to doesn't, from time to time, give you goose bumps, then you need t&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;o find new music.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;I Don't Know&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://home.att.net/%7Efreebizak/RuthBrown/ruthbrown2.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 218px; height: 224px;" src="http://home.att.net/%7Efreebizak/RuthBrown/ruthbrown2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Ruth Brown&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1959&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;a title="The Essentials" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:7r6fmpzk9ffo"&gt;The Essentials&lt;/a&gt;&lt;span&gt; &lt;/span&gt; &lt;/span&gt; &lt;span style="font-size:85%;"&gt;&lt;br /&gt;The "House that Ruth Built" doesn't always refer to Yankee Stadium. If you are not familiar with &lt;a title="the story of Atlantic records" href="http://www.bsnpubs.com/atlantic/atlanticstory.html"&gt;the story of Atlantic records&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;, I would suggest you make yourself familiar with it. The founder, Ahmet Ertegun, recently passed away after falling backstage at a Rolling Stones concert. &lt;a title="A fuckin' phenominal story from rolling stone magazine" target="blank_" href="http://www.rollingstone.com/news/story/13151898/the_greatest_record_man_of_all_time/2"&gt;The term genius is often tossed around without much regard to it's&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;a title="A fuckin' phenominal story from rolling stone magazine" target="blank_" href="http://www.rollingstone.com/news/story/13151898/the_greatest_record_man_of_all_time/2"&gt; definition, but make no mistake that Ahmet (or, as Otis Redding called him - "Omelet" -&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;a title="A fuckin' phenominal story from rolling stone magazine" target="blank_" href="http://www.rollingstone.com/news/story/13151898/the_greatest_record_man_of_all_time/2"&gt; not out of disrespect . . . that's what he thought his name was!) was a true&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;a title="A fuckin' phenominal story from rolling stone magazine" target="blank_" href="http://www.rollingstone.com/news/story/13151898/the_greatest_record_man_of_all_time/2"&gt; genius.&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; Back to the point - Ruth Brown was one of the early stars of Atlantic Records with such hits as "(Mama) He Treats Your Daughter Mean" and "5-10-15 Hours" and really helped the label stay afloat in their early years with here success.  I really enjoy this selection, which came later in here tenure at Atlantic.&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;I'm A Little Mixed Up&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Betty James&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1961&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Blues - Volume 4" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:o4420r6ar48n"&gt;The Blues - Volume 4&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt; &lt;/span&gt;&lt;br /&gt;Seemingly a 'one hit' wonder, recorded for Chicago's legendary &lt;a title="Chess" href="http://en.wikipedia.org/wiki/Chess_Records"&gt;Chess&lt;/a&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;label.&lt;br /&gt;&lt;/span&gt; &lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;I Just Wanna Make Love to You&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.kser.org/shows/dusties/photosa-m/etta.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 130px; height: 158px;" src="http://www.kser.org/shows/dusties/photosa-m/etta.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Etta James&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1961&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="at last!" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:o4jyeal04xh7"&gt;at last!&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;Etta James started with the aforementioned Atlantic Records, recording many seminal&lt;/span&gt;&lt;span style="font-size:85%;"&gt; tracks with them. This was part of her first album with Chess records, a cover version of Muddy Waters song of the same name (Muddy being a Chess artist as well). Coming from a&lt;/span&gt;&lt;span style="font-size:85%;"&gt; female's perspective changes the whole tone of the song.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Time Is On My Side&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Irma Thomas&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1964&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Sweet Soul Queen of New Orleans: The Irma Thomas Collection" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:sq2zeflk8gf1"&gt;Sweet Soul Queen of New Orleans: The Irma Thomas Collection&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;A fine soul singer with many great songs, she will always be remembered for being the original artist of one of the Rolling Stones first hits which is presented here. Your generation does not seem to give the Stones their&lt;/span&gt;&lt;span style="font-size:85%;"&gt; proper due (or maybe it's just Dick), but they were a fantastic conduit to the blues. Much of their early stuff was blues covers, including the aforementioned "&lt;/span&gt;&lt;span style="font-size:85%;"&gt;I Just Wanna Make Love to You", "I'm a King Bee", "Little Red Rooster", etc. They did as good of a job covering this song as could be expected, even down to the "Go right&lt;/span&gt;&lt;span style="font-size:85%;"&gt; ahead baby and&lt;/span&gt;&lt;span style="font-size:85%;"&gt; light up the town" scat.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt; &lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;When My Love Comes Down&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; Ruby Johnson&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; 1966&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Stax-Volt Singles 1959-1968" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:j4rb288c05ja"&gt;The Complete Stax-Volt Singles 1959-1968&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;You remember "Chef" from South Park, right? He co-wrote this song. Now close your eyes and picture him singing this to Cartman's mom . . . smiling aren't ya? I was recently asked who my favorite guitarist was and I surprised my petitioner with the response of "Steve Cropper" who is featured here. Not known for gui&lt;/span&gt;&lt;span style="font-size:85%;"&gt;tar acrobatics such as Jimi, Stevie Ray or his favorite, Jeff Beck, he was known for finding the perfect fills (note "dock of the Bay" by Otis Redding). And now that we have addressed the songwriter and guitarist, lest we forget the star of the show - Ruby Johnson. My aforementioned comments regarding female singers investing&lt;/span&gt;&lt;span style="font-size:85%;"&gt; themselves into a song are perfectly realized&lt;/span&gt;&lt;span style="font-size:85%;"&gt; with this selection. Did I mentioned this was released through&lt;/span&gt;&lt;span style="font-size:85%;"&gt; Atlantic Records?&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www2.blogger.com/post-edit.g?blogID=3927607700945378847&amp;postID=2338573221204380480"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 228px; height: 221px;" src="http://www.music-atlas.com/images/aretha_franklin_2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Baby, Baby, Baby&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Aretha Franklin&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1967&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" title="I Never Loved a Man the Way I Love You" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:ymf1zfhheh8k"&gt;I Never Loved a Man the Way I Love You&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;Aretha is very overrated. Please don't misunderstand me - I think she is utterly fantastic. I think she's&lt;/span&gt;&lt;span style="font-size:85%;"&gt; overrated because of the deity status she has seemed to acquire. Lest we forget that she had a five year stretch, starting with when she signed on with Atlantic Records (there they are again), where she could do no wrong. She was unable to sustain that momentum (to be fair, not many can). For more information on this song and Aretha please check out &lt;a title="this post" href="http://redkelly.blogspot.com/2006/11/aretha-franklin-baby-baby-baby.html"&gt;this post&lt;/a&gt; at "The B-Side", which is where I got the track from.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;     &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Have A Little Mercy&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Jean Wells&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1967&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Dave Godin's Deep Soul Treasures: Taken From Our Vaults Volume 1" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:2z821vsozzpa"&gt;Dave Godin's Deep Soul Treasures: Taken From Our Vaults Volume 1&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;I just came across this song. Can't find out a thing about her. Loved it the first time I heard it, however.&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;Until Then I'll Suffer&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; Barbara Lynn&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; 1971&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Atlantic Sisters of Soul" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:yvh9ke9tjq7q"&gt;Atlantic Sisters of Soul&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;Another guitar playing female singer. And look at the label . . . Atlantic!&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://sesentas.ururock.com/images/janis_joplin.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 198px; height: 150px;" src="http://sesentas.ururock.com/images/janis_joplin.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Cry Baby&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Janis Joplin&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1971&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Pearl" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:g991z81a8yv1"&gt;Pearl&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;This is a cover of a soul song originally done by Garnett Mimms. Janis, however, made it her own.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;Love Letter&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; Bonnie Raitt&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; 1989&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Nick of Time" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:8c8j1vdjzzma"&gt;Nick of Time&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;Just a delicious mix of funk &amp; blues from Ms. Raitt. Two interesting things about her - first, shes has played with many a great blues man in her day, including Muddy &amp;amp; John Lee. Secondly, she is married to &lt;/span&gt;&lt;span style="font-size:85%;"&gt;Michael O'Keefe - you know him as Noonan from Caddyshack!&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt; &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.minkindesign.com/photo/lesh12-30-05/pictures/_dsc3240.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 162px; height: 198px;" src="http://www.minkindesign.com/photo/lesh12-30-05/pictures/_dsc3240.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Strenuous Acquaintances&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Joan Osborne&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 1996&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Mr. Wrong" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:4fd6vwvya9ek"&gt;Mr. Wrong&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt; Joan Osborne showed so much promise when she came out. Her first album - Relish - was fantastic, and her 2nd, Righteous Love, was just as good as well. Then she came out with an album of covers and then really hit&lt;/span&gt;&lt;span style="font-size:85%;"&gt; bottom on her last album . . . country (and it was not even good country, it was the shitty kind of country). This was released on the soundtrack of a an Ellen Degeneres movie between the first and second album. I find the song to be addicting . . .&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;Won't Go Out&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Holly Golightly&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;1997&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Alright, This Time Just the Girls Volume 2" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:acp1z81a6yv4"&gt;Alright, This Time Just the Girls Volume 2&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt; &lt;/span&gt;&lt;br /&gt;This is the aforementioned sample of "delta" blues. One of her fans is Jack White - he invited her to do a d&lt;/span&gt;&lt;span style="font-size:85%;"&gt;uet with him - "It's True That We Love One Another" on the Stripes Elephant Album.&lt;br /&gt;&lt;/span&gt; &lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;Strangelove&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);font-size:100%;" &gt;Come Ons&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 2001&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Hip Check!" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:4d4gtq1zpu44"&gt;Hip Check!&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;If you are not familiar with &lt;/span&gt;&lt;span style="font-size:85%;"&gt;The Come On's&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;you should &lt;a title="check them out" href="http://www.thecomeons.com/"&gt;check them out&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;. They are a local band (Ferndale, I believe). The singer, Deanne Iovan, used to be in the &lt;a title="Gore Gore Girls" href="http://www.goregoregirls.com/"&gt;Gore Gore Girls&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; and the drummer also pounds the skins for the &lt;a title="Dirtbombs" href="http://www.thedirtbombs.net/"&gt;Dirtbombs&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;. Not usually this bluesy - more uptempo, R&amp;B flavor.&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.guardian.co.uk/sys-images/Guardian/Pix/gallery/2005/02/10/jossgetty34545454.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 168px; height: 198px;" src="http://image.guardian.co.uk/sys-images/Guardian/Pix/gallery/2005/02/10/jossgetty34545454.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Fell in Love with a Boy&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; Joss Stone&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; 2003&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Soul Sessions" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:eyazqj5woj0a"&gt;The Soul Sessions&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;I enjoyed her &lt;a title="first album" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDF96AB57DB0FD2EA45D43D1C0EF51F6DC602D5DF0&amp;sql=10:7ge67ul030j0"&gt;first album&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;, which is where this track is from. Her &lt;a title="second album" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDF96AB57DB0FD2EA45D43D1C0EF51F6DC602D5DF0&amp;sql=10:5x6fmpn09f2o"&gt;second album&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; was not as good - she started to sound like Mariah Carey (and that's not a compliment). Not sure what to expect on the &lt;a title="third album" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;token=ADFEAEE47E1AD84BA47420CB863657DBB177FC29DD4BFB9C0A25581BD2B02554891875EA58E08793FDF96AB57DB0FD2EA45D43D1C0EF5FF6DE622D5DF0&amp;sql=10:eeaxq8obojsa"&gt;third album&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;. Anyone who covers the White Stripes can't be all that bad though, can they? &lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt;Joy&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; Bettye Lavette&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-size:100%;" &gt; 2005&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="I've Got My Own Hell to Raise" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=10:shdyyl35xppb"&gt;I've Got My Own Hell to Raise&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;Bettye Lavette has been a journeyman singer since the early 60. This track, however, is from a 2005 release. It is a cover of a Lucinda Williams song. She adopted the lyrics to her own experiences, however - she did start off in Detroit, went to Atlantic Records (New York) and even Muscle Shoals.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3927607700945378847-2338573221204380480?l=bluesofthemonth.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bluesofthemonth.blogspot.com/feeds/2338573221204380480/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3927607700945378847&amp;postID=2338573221204380480' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/2338573221204380480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/2338573221204380480'/><link rel='alternate' type='text/html' href='http://bluesofthemonth.blogspot.com/2007/03/fell-in-love-with-girl-download-track.html' title='Fell In Love With A Girl'/><author><name>Joe Mares</name><uri>https://profiles.google.com/108783670337562083856</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-uYGzdkn7yNE/AAAAAAAAAAI/AAAAAAAAWeQ/KXRSl4ap0NE/s512-c/photo.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3927607700945378847.post-1660549581038185383</id><published>2007-02-11T09:26:00.000-08:00</published><updated>2007-03-14T13:34:31.118-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robert johnson'/><category scheme='http://www.blogger.com/atom/ns#' term='blues'/><title type='text'>Stop Breaking Down</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.sesac.com/news/images/Robert%20Johnson%20formal%20shot.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 193px; height: 222px;" src="http://www.sesac.com/news/images/Robert%20Johnson%20formal%20shot.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.mediamax.com/otisredn/Hosted/Stop%20Breaking%20Down.mp3"&gt;&lt;span style="font-weight: bold;"&gt;Stop Breaking Down&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.mediamax.com/otisredn/FileManager#"&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.mediamax.com/otisredn/Hosted/stop%20breaking%20down.pdf" title="Download Track Listing/Jewel Case insert"&gt;Download Track Listing/Jewel Case insert&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This month's disc will cover &lt;a title="Robert Johnson" href="http://www.deltahaze.com/johnson/index.htm"&gt;Robert Johnson&lt;/a&gt; and his subsequent impact on the blues and more importantly rock and roll.&lt;br /&gt;&lt;br /&gt;Robert made 63 recordings during his lifetime. 41 of them have been found and released. These 41 recordings are of 29 different songs. Only 11 of these were released as 78's during his lifetime, with another being released posthumously. Only one of them would have been considered a hit record by the standards of that time (a minor one, at that).&lt;br /&gt;&lt;br /&gt;So why is held in such reverence today? Damn fine question. Timing is everything.&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/en/thumb/e/e6/KotDBS1.jpg/200px-KotDBS1.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 149px; height: 150px;" src="http://upload.wikimedia.org/wikipedia/en/thumb/e/e6/KotDBS1.jpg/200px-KotDBS1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;In 1961 the "&lt;a title="King of the Delta Blues Singers" href="http://http//en.wikipedia.org/wiki/King_of_the_Delta_Blues_Singers"&gt;King of the Delta Blues Singers&lt;/a&gt;" album was released. Around the same time time you have &lt;a title="Son House" href="http://en.wikipedia.org/wiki/Son_House"&gt;Son House&lt;/a&gt; spreading tales of Robert extraordinary talents and how he acquired them from selling his soul to the devil. Couple this with an exploding folk blues movement and the start of the British invasion - Bingo, Bango - a legend is born. The argument has been made that if his songs were not prevalently covered by white rock musicians, he would have been just a footnote in the history of the blues&lt;br /&gt;&lt;br /&gt;Which isn't to say Robert didn't have some mad skills. Keith Richards, when he first heard him at Brian Jones' apartment, wanted to know who the other guitar player was - he couldn't believe that there was only one guitar player making the music he was hearing. And the songs he wrote have become classics . . . except he didn't necessarily write them, or at least all of them. In true blues fashion, it would seem that he may have nicked more that a few of them from his contemporaries.&lt;br /&gt;&lt;br /&gt;One fan of his mad skills during his lifetime was John Hammond. Hammond was recruiting talent for a concert at Carnegie Hall - Spirituals to Swing - and sent for Robert to be there. Robert was unable to make the trip, however, because he was dead - poisoned by a jealous husband of a women Robert was putting the squeeze on. Hammond recovered from this disappointment, however, to go onto launch the careers of, among others, Billy Holiday, Bob Dylan, Bruce Springsteen and Stevie Ray Vaughn.&lt;br /&gt;&lt;br /&gt;The collection I present to you on this disc is specifically intended to show the different arrangements his music has been bent and formed into, from solo acoustic (&lt;span style="font-style: italic;"&gt;Clapton's "From Four Till Late"&lt;/span&gt;), gospel (Taj&lt;span style="font-style: italic;"&gt; &lt;/span&gt;Mahal's&lt;span style="font-style: italic;"&gt; "Sweet Home Chicago"&lt;/span&gt;), hard rock (&lt;span style="font-style: italic;"&gt;Cream's "Crossroads"&lt;/span&gt;), piano blues (&lt;span style="font-style: italic;"&gt;Peter Green's "Phonograph Blues"&lt;/span&gt;) to full fleshed out rhythm &amp; blues (&lt;span style="font-style: italic;"&gt;Ike Turner's "Dust My Broom"&lt;/span&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="lyrics" href="http://www.harptab.com/lyrics/ly4769.shtml"&gt;32-20 Blues&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 26th, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;Let's see . . . we've got a brother talking about laying a beat down on his cheating bitch . . . Robert was the first rap star! "Robert Johnson" is not a very good rap name, however. Let's see if we can't find another one for him . . . R.Johnson (nah - too much like R.Kelly) . . . how about Puff Bobby (nah, that's been done too) . . . I got it - RoJoSo! That's fizzle my gizzle.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;32-20 Blues&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Gov't Mule&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1999&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Live...With a Little Help from Our Friends" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:nzklu3xkan6k"&gt;Live...With a Little Help from Our Friends&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;These guys sound a lot like the Allman Brothers . . . which is no surprise since that's where they came from from.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Cross Road Blues (Alternate Take)" href="http://www.harptab.com/lyrics/ly4773.shtml"&gt;Cross Road Blues (Alternate Take)&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 27th, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;We'll discuss the whole "selling soul to the devil" thing here. Legend had it that you could go to the crossroads, hand the devil your guitar and he would in turn tune it in exchange for your soul. Follow the lyrics, however, and it's obvious that he was hitchhiking.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Crossroads&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Cream&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1968&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Crossroads" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:6tkcu3y5andk"&gt;Crossroads&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;Probably the most famous cover of one of Robert Johnson's songs. It's not a complete cover of the song, however. The "Going down to Rosedale, take my rider by my side.&lt;br /&gt;You can still barrelhouse, baby, on the riverside" lyric is from another Robert Johnson song "Traveling Riverside Blues", which will be covered on a future disc.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="I Believe I'll Dust My Broom" href="http://www.harptab.com/lyrics/ly4781.shtml"&gt;I Believe I'll Dust My Broom&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 23rd, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;This is one of the songs he nicked. Supposedly it is derived from Kokomo Arnold's "Sagefield Woman Blues". By all accounts, the bottle neck riff used was all his and has subsequently been used many times over.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Dust My Broom&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Ike &amp; Tina Turner&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1966&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Shake a Tail Feather" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:46rn281i056a"&gt;Shake a Tail Feather&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;If Ike Turner hadn't been such an asshole, he would be regarded as a genius. He really produced some fantastic music over the years. Of course, now Tina gets all the credit these days.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="From Four Till Late" href="http://www.harptab.com/lyrics/ly4777.shtml"&gt;From Four Till Late&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;June 19th, 1937&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;One of my favorites songs from Robert Johnson. To me it sounds different than the rest of his stuff. Always partial to the "A woman is like a dresser, some man always&lt;br /&gt;ramblin' through its drawers" lyric as well.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;From Four Until Late&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Eric Clapton&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;2004&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Sessions for Robert J." href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:twadqj6eoj6a"&gt;Sessions for Robert J.&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;2nd of 3 appearances of Eric on this disc (Cream &amp; John Mayall). Could have made a whole disc of just Clapton covering Robert Johnson - he made 2 discs of it himself.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Last Fair Deal Gone Down" href="http://www.harptab.com/lyrics/ly4786.shtml"&gt;Last Fair Deal Gone Down&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 27th, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;"If you cry about a nickel, you'll die about a dime"&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Last Fair Deal Gone Down&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Keb' Mo'&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1996&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Just Like You" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:5qfjzff8eh7k"&gt;Just Like You&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;Keb' Mo' is nice. A little too white. But nice none the same.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Love In Vain Blues" href="http://www.harptab.com/lyrics/ly4789.shtml"&gt;Love In Vain Blues&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;June 20th, 1937&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;Though it may not be his bluesiest sounding song, it is definitely his saddest. For the longest time, however, when he sang "When the train rolled up to the station and I looked here in the eye" I always took that as he looked into the train's eye - i.e. it's light. Makes more sense that he looked into Willie Mae's eye . . .&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Love in Vain&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Rolling Stones&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1995&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Stripped" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:rlf4zfg8eh6k"&gt;Stripped&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;This song was not on "King of the Delta Blues" album. It did appear on a bootleg in the late sixties before being released on the "King of the Delta Blues Singers, Vol. 2" in 1970. It was from these bootlegs, however, that the Stones first heard it and went about recording it. I assume you already have the version of this song from "Let It Bleed" - I mean everybody has "Let it Bleed", no? Well, if you are not familiar with the "Let It Bleed" version seek it out - some delicious slide playing by Keith and mandolin by Ry Cooder. I like this version as well - ends with Mick playing harmonica (I am assuming it's Mick -  I doubt Keith could blow that hard)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Phonograph Blues" href="http://www.harptab.com/lyrics/ly4796.shtml"&gt;Phonograph Blues&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 23rd, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt; Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;This song, like many other blues songs, is full of double entendres.  "Now, we played it on the sofa, now, we played it 'side the wall" - I don't think a phonograph would actually play "side the wall". "My needles have got rusty" - this was before penicillin.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Phonograph Blues&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Peter Green Splinter Group&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1998&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Robert Johnson Songbook" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:dfyvad6kq8w4"&gt;The Robert Johnson Songbook&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;Peter Green was a founding member of Fleetwood Mac, which was originally formed as a blues band. Peter left, Lindsay Buckingham came in with Stevie Nicks. Needless to say, they were never the same. Nice piano workout of the song, however.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Ramblin' On My Mind  (Alternate Take)" href="http://www.harptab.com/lyrics/ly4801.shtml"&gt;Ramblin' On My Mind  (Alternate Take)&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 23rd, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt; Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;I find it amazing that they have the exact date (and time too) for these recordings. I just downloaded a version of "Day Tripper" done live by Eddie Vedder &amp;amp; Liam Gallagher and I can't find out when it was recorded but they had all these records available from back then.&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Ramblin' On My Mind&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;John Mayall &amp; The Bluesbreakers&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1966&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Crossroads" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:6tkcu3y5andk"&gt;Crossroads&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;This is the first song Clapton ever recording singing lead. The Yardbird's didn't let him sing . . maybe that's why he left.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Stop Breakin' Down Blues" href="http://www.harptab.com/lyrics/ly4803.shtml"&gt;Stop Breakin' Down Blues&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;June 20th, 1937&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;This version is closest to the version later recorded by the Rolling Stones (and subsequently the White Stripes). On the second version he includes a lyric about a fiddle player and his bow. Most of the alternate versions of his songs really don't vary that much from the original - usually just slight variations of the lyrics. This is the only one I found where there is actually a different verse.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Stop Breaking Down&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;White Stripes&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1999&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The White Stripes" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:um59keptaq7z"&gt;The White Stripes&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;Jack White is an interesting dichotomy - on one hand, he could be the second coming of Christ. On they other hand, he could be Satan. That's what makes him great - along with Meg's drumming (I know Bert's opinion of Meg - Bert's fucked up). There is another version of them playing this during a Peel session - slower and bluesier - that would have been on the disc if it wasn't three minutes longer than this version. If you look real hard I bet you'll be able to download it. In fact, you shouldn't have to look that hard at all.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Sweet Home Chicago" href="http://www.harptab.com/lyrics/ly4805.shtml"&gt;Sweet Home Chicago&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 23rd, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;A very popular song of his . . . covered numerous times. But I doubt it is actually his song - I would suspect it is more a traditional song he adopted for himself.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Sweet Home Chicago&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Taj Mahal&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1973&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="In Progress &amp; In Motion 1965-1998" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;token=&amp;sql=10:pce997e0krat"&gt;In Progress &amp;amp; In Motion 1965-1998&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;I dig the way he 'gospels' this up.  By they way, thats the Pointer Sisters backing him up&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Terraplane Blues" href="http://www.harptab.com/lyrics/ly4806.shtml"&gt;Terraplane Blues&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 23rd, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;This was the first record released during his lifetime. It was also his best selling one as well. I guess the Counting Crows shouldn't fell so bad.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Terraplane Blues&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;John Lee Hooker&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1987&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Very Best of John Lee Hooker" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:rrk9ikkjbbf9"&gt;The Very Best of John Lee Hooker&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;A Terraplane was a low priced sedan offered by the Hudson Motor Car company from 1933 to 1938. &lt;a title="But Robert (nor John Lee) weren't really signing about a car now, were they." href="http://xroads.virginia.edu/%7EMUSIC/blues/gordon.html"&gt;But Robert (nor John Lee) weren't really signing about a car now, were they.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="Walking Blues" href="http://www.harptab.com/lyrics/ly4809.shtml"&gt;Walking Blues&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Robert Johnson&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;November 27th, 1936&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Complete Recordings" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:wpjxlfjegcqu"&gt;The Complete Recordings&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;"She got a Elgin movement from her head down to her toes; Lord, she break in on a dollar most anywhere shes goes"&lt;br /&gt;Not exactly sure what that means, but it sounds dirty.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Walkin' Blues&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Muddy Waters&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;1950&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a style="font-weight: bold;" title="The Chess Box" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:imj9keptjq7v"&gt;The Chess Box&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;Muddy calling out his bass player on this song - Ernest "Big" Crawford - lead me to name our first dog "Crawford"&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr style="width: 100%; height: 2px; margin-left: 0px; margin-right: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;I know, that given the poor sound quality, the Robert Johnson songs may be tough to listen to.&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.tuckersmallwood.com/images/robjonb2.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 129px; height: 176px;" src="http://www.tuckersmallwood.com/images/robjonb2.jpg" alt="" border="0" /&gt;&lt;/a&gt; Give them a listen, however. Follow the lyrics (I have included links to the lyrics of each song). See if you can hear the two guitars Keef heard.&lt;br /&gt;&lt;br /&gt;One last note - there is an argument, an interesting one at that, that Robert's songs were actually speed up 20% from their actual recorded speeds. Listen to the samples posted on &lt;a title="this website" href="http://www.touched.co.uk/press/rjnote.html"&gt;this website&lt;/a&gt; - see what you think.&lt;br /&gt;&lt;br /&gt;'til next month.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3927607700945378847-1660549581038185383?l=bluesofthemonth.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bluesofthemonth.blogspot.com/feeds/1660549581038185383/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3927607700945378847&amp;postID=1660549581038185383' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/1660549581038185383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/1660549581038185383'/><link rel='alternate' type='text/html' href='http://bluesofthemonth.blogspot.com/2007/02/stop-breaking-down-this-months-disc.html' title='Stop Breaking Down'/><author><name>Joe Mares</name><uri>https://profiles.google.com/108783670337562083856</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-uYGzdkn7yNE/AAAAAAAAAAI/AAAAAAAAWeQ/KXRSl4ap0NE/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3927607700945378847.post-6885286830030670182</id><published>2007-01-14T12:07:00.000-08:00</published><updated>2007-03-14T14:23:35.218-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='howlin wolf'/><category scheme='http://www.blogger.com/atom/ns#' term='john lee hooker'/><category scheme='http://www.blogger.com/atom/ns#' term='muddy waters'/><category scheme='http://www.blogger.com/atom/ns#' term='blues'/><title type='text'>The Big Three Killed My Baby</title><content type='html'>&lt;span style=";font-family:verdana;font-size:130%;"  &gt;&lt;br /&gt;&lt;a style="font-weight: bold;" title="The Hidden Track" href="http://www.mediamax.com/otisredn/Hosted/The%20Big%20Three%20Killed%20My%20Baby.mp3"&gt;The Big Three Killed My Baby&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.mediamax.com/otisredn/Hosted/The%20Big%20Three%20Killed%20My%20Baby.pdf"&gt;&lt;span style="font-size:85%;"&gt;Download Track Listing/Jewel Case insert&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt; The first disc of the Blues Of The Month will cover what I consider to be the big three of the blues. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Sort of the Father, Son &amp; Holy Ghost of the Blues. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Or GM, Ford &amp;amp; Chrysler - 'scuse me - Daimler Chrysler. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="http://www.muddywaters.com/" target="blank_" href="http://www.muddywaters.com/"&gt;Muddy Waters&lt;/a&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;, &lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="http://www.howlinwolf.com/" target="blank_" href="http://www.howlinwolf.com/"&gt;Howlin' Wolf&lt;/a&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;   &amp; &lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="http://www.johnleehooker.com/home.htm" target="blank_" href="http://www.johnleehooker.com/home.htm"&gt;John Lee Hooker&lt;/a&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;.&lt;/span&gt;&lt;span style="font-family:verdana;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;It would be impossible not to include some of the obvious selections ('Mannish Boy', 'Boom Boom', 'Smokestack Lightning') I have tried to mix it up a bit here, including some not so obvious choices from all periods of their lives. Don't worry, though - there will be more of them on future discs I'm sure.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(51, 0, 51);font-family:verdana;" &gt;Boogie Chillun&lt;br /&gt;John Lee Hooker&lt;br /&gt;1948&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Hook" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:7bmyxdybjolg"&gt;The Hook&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;I dont know what a Chillun is. I do know it was recorded in 1948 at the United Sound Studios at 5840 Second Avenue in Detroit. He refers to 'Hastings Street' in the song.  Hastings Street was THE place to be for blacks in the 40's &amp; 50's in Detroit. You can't go there today, however. Why not? Well, when 'whitey' decided to build I-75 guess where they put it? That's right, right over Hastings Street!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Sad Letter&lt;br /&gt;Muddy Waters&lt;br /&gt;1950&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="More Real Folk Blues" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:vdj97i38g74r"&gt;More Real Folk Blues&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Muddy's take on Son House's / Leadbelly "Death Letter". &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Moanin' At Midnight&lt;br /&gt;Howlin' Wolf&lt;br /&gt;1951&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Sun Records Collection" href="http://www.emusic.com/album/10860/10860164.html"&gt;The Sun Records Collection&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Of all the artists to come out of Sun Studios in Memphis - Elvis Presley, Johnny Cash, Jerry Lee Lewis, etc. - none were more powerful than Howlin' Wolf. More sucessful - sure. More influential, maybe. More powerful - not a chance.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Flood&lt;br /&gt;Muddy Waters&lt;br /&gt;1952&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Chess Box" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:nktvad7kt8w2"&gt;The Chess Box&lt;/a&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;Nice slow shuffling example of Muddy's power.&lt;/span&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Standing Around Crying&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Muddy Waters&lt;br /&gt;1952&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Best of Muddy Waters" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:kifexqugldte"&gt;The Best of Muddy Waters&lt;/a&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;For me, this is the finest example of heavy metal. Honestly, you can take all the hair bands in history - Zeppelin, GnR, Mettallica, whoever - put them back in 1952 with the 'primitive' recording equipment and instruments - give them a standup bass, harmonica, electric guitar and what was probably at best a snare drum and cymbal (I could be wrong but I believe the band consisted of Willie Dixon on bass, Little Walter on harmonica, Muddy on guitar and vocals and Fred Below on drums) and see if the could get their shit together enough to create a sound this full and, yes, heavy.  Trust me, they couldn't. &lt;/span&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;She's Alright&lt;br /&gt;Muddy Waters&lt;br /&gt;1952&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="More Real Folk Blues" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:vdj97i38g74r"&gt;More Real Folk Blues&lt;/a&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Mannish Boy&lt;br /&gt;Muddy Waters&lt;br /&gt;1955&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Chess Box" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:nktvad7kt8w2"&gt;The Chess Box&lt;/a&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;Muddy knicked this from Bo Diddley. I'd like to think Bo didn't mind but I suspect he did. Muddy's take kicks Bo's version's ass, and Bo's version was awesome.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Natchez Burning&lt;br /&gt;Howlin' Wolf&lt;br /&gt;1956 &lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Real Folk Blues" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:9zapqj5yojta"&gt;The Real Folk Blues&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;a style="font-family: verdana;" title="Natchez Burning" target="blank_" href="http://en.wikipedia.org/wiki/Rhythm_Night_Club_fire"&gt;"Did you ever hear the burning that happened way day in Natchez, Mississippi town ?&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Smokestack Lightnin'&lt;br /&gt;Howlin' Wolf&lt;br /&gt;1956&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Chess Box" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:bu5j8qctbtm4"&gt;The Chess Box&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Smokestack Lightnin' refers to a locomotive engine and the sparks the steam boiler would give off&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Crawlin' Kingsnake&lt;br /&gt;John Lee Hooker&lt;br /&gt;1959&lt;/span&gt;&lt;br /&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Hook" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:7bmyxdybjolg"&gt;The Hook&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Was John Lee a snake lover? No. John Lee was referring to 'himself' as a snake. The blues are famous for there double entendre. The could sing the most erotic lyrics without ever using objectionable language. Much more imagination than today's rappers display.  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Howlin' For My Darling&lt;br /&gt;Howlin' Wolf&lt;br /&gt;1959&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Chess Box" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:bu5j8qctbtm4"&gt;The Chess Box&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Down In The Bottom&lt;br /&gt;Howlin' Wolf&lt;br /&gt;1961&lt;/span&gt;&lt;br /&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Chess Box" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:bu5j8qctbtm4"&gt;The Chess Box&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Boom Boom&lt;br /&gt;John Lee Hooker&lt;br /&gt;1962&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Hook" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:7bmyxdybjolg"&gt;The Hook&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;You can see him playing this song on the street in "The Blues Brothers"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;The Waterfront&lt;br /&gt;John Lee Hooker&lt;br /&gt;1966&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Real Folk Blues" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:l4fe4j370wat"&gt;The Real Folk Blues&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;My favorite selection from John Lee.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;I'm In The Mood&lt;br /&gt;John Lee Hooker&lt;br /&gt;1966&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Real Folk Blues" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:l4fe4j370wat"&gt;The Real Folk Blues&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Who isn't?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;I'm The Wolf&lt;br /&gt;Howlin' Wolf&lt;br /&gt;1968&lt;/span&gt;&lt;br /&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Chess Box" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:bu5j8qctbtm4"&gt;The Chess Box&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Wolf Unplugged!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Grinder Man&lt;br /&gt;John Lee Hooker&lt;br /&gt;1969&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The Complete Stax-Volt Singles 1968-1971" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:k1aqoauayijp"&gt;The Complete Stax-Volt Singles 1968-1971&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;John Lee again with a double entendre.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;She's Nineteen Years Old&lt;br /&gt;Muddy Waters&lt;br /&gt;1971&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="Live (At Mr. Kelly's)" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:4gd7gjur46iv"&gt;Live (At Mr. Kelly's)&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;"I so crazy about those young girls". Muddy was 56 when he recorded this version (Mr. Kelly's is (was?) a bar/nightclub in Chicago). That's right, 56 year old black men are after your girlfriends.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;The Red Rooster (False Start and Dialogue)&lt;br /&gt;Howlin' Wolf&lt;br /&gt;1971&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="The London Howlin' Wolf Sessions" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:v2j97i78g7xr"&gt;The London Howlin' Wolf Sessions&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;   &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;That's Eric Clapton asking Wolf to show HIM how to play the guitar! One might think he was being disingenuous, but I like to think he wasn't. "Always stop at the top . . . "&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Champagne &amp; Reefer&lt;br /&gt;Muddy Waters&lt;br /&gt;1981 &lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="King Bee" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=10:s96dtrp9kl6x"&gt;King Bee&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Muddy Waters singing about getting high in 1981. Think &lt;/span&gt;&lt;a style="font-family: verdana;" title="Albino Pot Head" target="blank_" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=11:p998b5m4tsqk%7ET1"&gt;Johnny Winters&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;, who produced this album, had any influence on him? And here's a shocker - the song was later covered by the Black Crowes!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:verdana;" &gt;Dimples&lt;br /&gt;John Lee Hooker&lt;br /&gt;1997&lt;br /&gt;&lt;/span&gt;&lt;a style="font-weight: bold; font-family: verdana;" title="Don't Look Back" href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;token=&amp;amp;sql=10:om8o1vgozzba"&gt;Don't Look Back&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Never crazy about artists remaking their songs. But I did enjoy this remake by John Lee (with Los Lobos) of one of his classic early cuts.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Well, that's the first chapter. Hope you enjoy. Don't worry, I don't think I will always be so wordy. Please feel free to share with your fellow music students there at Albion. If they are not familiar with some of the music hopefully I can get an assist for inspiration. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;BTW - Did you find the downloaded hidden track ?&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3927607700945378847-6885286830030670182?l=bluesofthemonth.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bluesofthemonth.blogspot.com/feeds/6885286830030670182/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3927607700945378847&amp;postID=6885286830030670182' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/6885286830030670182'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/6885286830030670182'/><link rel='alternate' type='text/html' href='http://bluesofthemonth.blogspot.com/2007/01/big-three-killed-my-baby-first-disc-of.html' title='The Big Three Killed My Baby'/><author><name>Joe Mares</name><uri>https://profiles.google.com/108783670337562083856</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-uYGzdkn7yNE/AAAAAAAAAAI/AAAAAAAAWeQ/KXRSl4ap0NE/s512-c/photo.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3927607700945378847.post-7903139068126925649</id><published>2007-01-14T07:27:00.000-08:00</published><updated>2007-01-16T10:25:30.416-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='blues'/><title type='text'>The Hardest Button To Button</title><content type='html'>&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;a href="http://www.mediamax.com/otisredn/Hosted/09%20The%20Hardest%20Button%20To%20Button.mp3"&gt;The Hardest Button To Button&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Back in August (I think it was August) Rich said you asked if I would make you up a blues disc. Well, I was honored that you would ask and I immediately started on putting it together.&lt;br /&gt;&lt;br /&gt;That's where the problems began. Where to start? And the more I reviewed the more I was learning my self. Then I asked Rich if you would mind if it was more than one disc, perhaps two or three. I had an epic study and comprehensively sweeping set in mind. So I started to work on it some more  but the problem was that my library was not static but was ever expanding (thanks to blogs such as &lt;/span&gt;&lt;a style="font-family: verdana;" title="http://www.prewarblues.org/" target="blank_" href="http://www.prewarblues.org/"&gt;Honey Where You Been So Long&lt;/a&gt;&lt;span style="font-family:verdana;"&gt; )&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Next thing I knew August was gone, January was here and you were kind enough to leave $20 at my poker table. And still no blues disc as requested.&lt;br /&gt;&lt;br /&gt;That's when I decided to the advice of &lt;/span&gt;&lt;a style="font-family: verdana;" title="What About Bob?" target="blank_" href="http://www.imdb.com/title/tt0103241/"&gt;one of Bill Murray's best movies&lt;/a&gt;&lt;span style="font-family:verdana;"&gt; and attack the problem in "Baby Steps".&lt;/span&gt; &lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;br /&gt;So begins the Blues of the Month blog. Each month in 2007 you receive a single disc of the blues. That'll give you a month to review. If you decide to keep the disc, there is no cost. You can cancel you subscription at any time, but the discs will keep coming regardless. I am having too much fun doing this.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3927607700945378847-7903139068126925649?l=bluesofthemonth.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bluesofthemonth.blogspot.com/feeds/7903139068126925649/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3927607700945378847&amp;postID=7903139068126925649' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/7903139068126925649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3927607700945378847/posts/default/7903139068126925649'/><link rel='alternate' type='text/html' href='http://bluesofthemonth.blogspot.com/2007/01/back-in-august-i-think-it-was-august.html' title='The Hardest Button To Button'/><author><name>Joe Mares</name><uri>https://profiles.google.com/108783670337562083856</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-uYGzdkn7yNE/AAAAAAAAAAI/AAAAAAAAWeQ/KXRSl4ap0NE/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry></feed>
